Corelli sings with unbridled pathos, and clarion high notes that ring so well that they sure shook the chandeliers of the old Met. Price dazzles as the titular Tosca, bringing forth both the fire and vulnerability of that character. Every member of this cast overwhelms you with their sound, and they all sound like the roles were written for their voices. Vocally speaking this might be the most stacked recording on this list. I hope you enjoy them.ġ962 Metropolitan Opera: Leontyne Price, Franco Corelli, Cornell MacNeil, Ezio Flagello, Charles Anthony w/ Kurt Adler conducting But, in the process I’ve found one live recording, two studio recordings, and one movie recording that fit the bill. Because of this figuring out which recordings of Tosca I’ve found that best represent that realism and dynamic pacing is a difficult task. In many ways it’s the epitome of verismo, as it feels so real that I shouldn’t be watching it, but I can’t turn away. It’s hard to explain, but when I’ve seen live productions of Tosca I feel less like an audience member, and more voyeuristic whilst watching. Sprinkled within the score of Tosca is some of the most brilliant musical moments Puccini ever wrote, but what sells it is the mile a minute pacing. Puccini’s “shabby little shocker” is considered by many opera aficionados to be one of the most superb combinations of musical brilliance and maudlin melodrama to ever be put on stage.
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